Jean Auguste Dominique Ingres summed up the academic technique: "The brushstroke, as accomplished as it may be, should not be visible: otherwise, it prevents the illusion, immobilizes everything. Instead of the object represented, it calls attention to the process: instead of the thought, it betrays the hand."Mirzoeff, Nicholas (2006). Bodyscape: Art, Modernity and the Ideal Figure. Routledge. p. 97. .
Rejection of the licked finish in favour of visible brushstrokes is one of the hallmarks of Impressionism.Reck, Rima Drell (1994). Review. The French Review 67 (6): 1089–1090.
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